A few more shots of the carnage [s]

There are a few wires to dispose of, all in due time. The couch is a bit off the wall to center its occupants more and provide a space for the woofer. Um and I'm terrible at pillowing couches.



I brought the tripods home from my office so I had a bit more snapping liberty.



Dixieline was closed today, grumble. Still, I put the head back.



Surf board rack with wifi. Duh.

Truth in 24 (6)

• Rides (7): The speed night mainstay is a powerful road car that features a wealth of modifications such as blowers, bottles, death proof roll cages, and chaingun turrets. The LeMans circuit is a departure, for sure, but not one that dances off into the fairly land of f1 and the lot where cars - to paraphrase Ferdinand Porsche - should win a race and then fall to pieces. Nay, LeMans racers have to run strong for a contiguous day and have been a testbed for the development plenty of commecial technology.
  Truth in 24 showcases the fastest and least recognizable of the series, the prototype class. These machines are purely designed for function and tend to be a crap shoot for aesthetics. I would have found myself salivating considerably more had they focused on the classes that consist of 430s, 911s, S7s, Corvettes and the like. But that experience may have been ruined every time a LMP breezed by on the outside of a hairpin.
  So while there's little variety or focus on the cars you might actually see in the parking garage at your local hospital, they look good, sound good, and require no increased frame rate or cgi to knock your socks off.
  
• Authenticity (10): It's a documentary. You can't get a whole lot more authentic without jumping formats. Of course I'm accepting the characterization of Peugot as evil. But if they weren't evil they wouldn't have made their cars looks so evil.
  
• Femmes (0): I think I spotted a few in the crowd. For something created by nfl films and shown on espn, I actually expected a few umbrella girls.
  
• One Liners (7): The authenticity and female content aren't a surprise, but the prevalence of quotables was a shocker. None are so cornball to be as memorable as 'danger to manifold' or 'my hand gernade', but they're excellent within the context of the story. The lecherous lead engineer of the Audi powerplant has a few, such as the observation that his turbo diesel is quiet and sexy, in contrast to the 'normal' perception of sexy as involving screaming. Shudder.
  Then there are a few - often through thick accents - that draw a chuckle while you're watching, such as, 'Drive home like grandma'. And then the prophetic, 'It always rains at LeMans'.
  
• Action Sequences (7): I'll start with the 3/10ths empty part of the glass: no martial arts, Mexican stands-off, or nos explosions. The 7/10ths is a tasty blend of Fine Driving, high speed camera clips, mishaps, and flying cars. The carnage is actually Tetrised into the storyline so it doesn't feel like a nascar commercial. And most importantly, the movie draws on so many sources of footage that the coverage of the track, cars, pits, is very complete. It doesn't hurt that you can watch some impressive shots and know it wasn't cooked up by a supercomputer cluster or remotely control car.
  
• Star Power (6): Paul Newman and Steve McQueen show up in a few homage clips, the rest are racers.

7+
The Fast and the Furious (7.7): Genre-defining, quotable, unreal
Gumball Rally (7.5): Still relevant
Initial D (7.1): Cult, riveting, but give us some shine
Thunderbolt (7.0): Over the top for better and worse
6+
Days of Thunder (6.7): Pretty good but not very pretty
Ronin (6.3): Left in the briefcase: girls, rides, one-liners
Mad Max (6.2): Brutal action, no frills
Truth in 24 (6.2): Good, but too much truth for speed night
5+
Redline (5.7): Fantastic if watched in a foreign language
The Fast and the Furious: Tokyo Drift (5.6): Sexy, but unfulfilling
2 Fast 2 Furious (5.3): 2 flimsy
4+
Driven (4.9): Succeeds in everything unrelated to cars
Death Race 2000 (4.0): If only they were just racing across town
3+
Movin' Too Fast (3.3): Well, it has cars

Refinishing the garage floor [i]

Here's my summary/how to on concrete floors.



Rent a terrazo grinder, mine ran about 70 for the machine and 60 for three blades. Clear the garage because it'll be out of commission for a week.



Being able to hook the hose up to the grinder is immense. The applied water whisks away the concrete dust instead of letting it be thrown into the air. Concrete dust is fearsome.

You'll know you've ground enough when the floor becomes nice an white, see right side compared to left above. The grinder will leave swirl marks that will be visible, make sure this is the look you want. Machines that hone concrete are not used on existing residental applications.

A two car garage won't take more than a couple hours, so an overnight rental is entirely reasonable. An angle grinder with a concrete disc can take care of corners if they matter to you.

Don't worry about the smoothness of the floor, the epoxy layers will take care of that.



Notice how white the floor is when dry (and powdery). Years of wear had both smoothed and stained the concrete. My best guess is that doing the acid without grinding would mute the colors and leave artifacts where there were stains - could be good or bad.

Buy the chemicals. I picked up five gallons of acid for what I generously estimated to be 1000 square foot of concrete (including the inside of the house). When all was said and done I had only used half.

The shop had prescribed two overlayers, epoxy then urethane. In retrospect I might have just tried a couple layers of urethane, but more on epoxy troubles later. The square feet/gallon estimates here were pretty good.



Power wash and/or brush away the concrete dust and whatever else may have accumulated on the floor, the acid should be applied to a wet surface so don't worry about planning for any drying time.

I sealed up a crack knowing full well it wouldn't be hidden by the chemicals. Some might count this as a bonus for the distressed look. I hear there are elegant methods for blending patch jobs into the process, but I didn't take this route.



Applying the acid stain is best at night since you can wet the whole floor and not have to worry about it drying before you're done. Also, the acid works as long as it's wet, so the longer it takes to evaporate, the better.

Pump spray acid on a portion of the wet concrete and quickly brush it in. This is crucial and in the end you'll see any areas that weren't brushed. Then apply a top layer of the stain to eliminate brush marks and create some natural variation. Generally the mistiest setting works best here, if you streamed your name into the job it would stay.



The instructions advise removal of excess acid. I did not, since it would require retracing my steps and then spraying more on to cover my tracks. Kind of defeats the purpose. You'll see a layer of oil float to the top of the wet stain but this will just dry on top of everything and it all has to be washed later.



You're supposed to wait at least six hours, it's easiest just to sleep on it - not literally - and the fumes aren't bad so you don't have to worry about waking up dead.



When the acid stain dries it will leave a powdery residue. This should be neutralized with ammonia and removed.



The clean and wet floor will look like a marble, though notice some haze where there's just water sitting on top of the concrete. I can't explain it, though some of it's the fact that I don't have a polarizer for this lens.



The next step is to apply the epoxy. The instructions say the floor should be clean, but it must also be dry. Very dry. Even though the epoxy is water-based. And water should not contact the floor in any amount for several days, even though the urethane is water-based.

The epoxy goes on pretty easily with a sturdy roller on the end of a sturdy pole - it's much tackier than paint so the entire mechanism bears significantly more stress. A thin layer is best, I found success going over each spot once with lots of muscle, then very lightly to pick up excess and even it out. Any globs or thick areas will haze and that's quite bad.

I'd recommend against a second coat, but stay on the long side of the prescribed recoat time.



The epoxy goes on white, it'll dry clear.



The next layer is urethane. In the image above you'll notice the lamination where the epoxy has been put down, and that the colors of the stain are brought more to life. On the right you'll see the wet urethane.

The urethane is as sticky as the epoxy, but it goes on easier because it's thinner and the already-coated floor isn't so porous. It rolls on just like the epoxy. This is the chemical that gives stained floors their shine, though a satin version is also available.



The urethane dries pretty quickly, but has a longer cure time according to the spec sheet.



There's the white haze again, called blushing when referring to epoxy. I'm not sure what to make of it, I might point my finger at the epoxy, but it seemed to also be there when water was sitting on the unlaminated concrete.



Maybe the blushing will go away with the cure, maybe it'll be covered in road dust before then. It's local to some areas and depends greatly on how the light strikes it.

Other than that, I declare success.

Odds and ends [s]

I cleared out the car hold on Sunday thanks to the garage-media room proximity. I was able to relocate all of the tools to the adjacent storage room, though they've been in disarray since being displaced from the upstairs bedroom.

Now there's room for a work bench, should that be a pressing need when the indentured serv- family comes down for turkey and A Colbert Christmas.



And perhaps I'll I find myself in an industrious mood wherein the garage is a fine test spot for concrete polishing (Jay's garage, above). On the subject, a good amount of dust has accrued in the media room - and it's not like I've been sloppy down there; the couch, et al, are still pristine. Concrete's a quick clean, not so for carpet.



I think the shiny, minimalist garage will be a boon for the eventual sales process. Most of the houses I looked at months ago used the garage as storage locker, dog house, evil dungeon, or all of the above.



There's shelving to be done. First, a few for helmets and such to be located where my riding and surfing gear hangs. Next, some small ones for the sound system rescued from Casa Morelos. Apparently the thing only likes me- it would continually overheat and shut down for my old roomies and did the same for Rob when he tried it recently. Last night it worked seamlessly with my mp3 player.

The next step is to move the extra tv down there since garage activities mesh well with American sports. Then hook the ol' laptop up to the tv and audio system for access to Pandora and internet accessibility.



Now, Alfa owner I am not (yet). Nor do I wish to act the Ferrari owner. But how awesome is the above dude's place?

I'm a fan of lighting- flashes for photography, fluorescents for wrenching, and accents for everything in between. So I'd like to install some red, recessed led bulbs on a motion sensor. Red because it's close to safe light color, leds because they're instant-on and I could leave them going overnight and use less power than thirty minutes of tv. And it'd go nicely with a chair out front and some sort of beverage. My block isn't quite as interesting as the Adams-Morgan strip where I learned to love the practice, but excellent nonetheless.



So, those vents on the side of the garage. Are those for thermal equalization or what? Cause honestly I'd much prefer to close them up and stem the flow of moisture to my sensitive metal products within.



I'm still unsure how to execute on the storage room. It's a convenient way to access much of the house, so I'd like to keep it uncluttered. It's an accessible but unseen storage spot for garage materials and that will be its primary purpose. The room is also ideal for wine, perhaps the northernmost section could be outfitted with a rack. And there's the choice of ground cover for the exposed hillside.



I found some black crg levers on the Pro Italia site, so on Saturday I stopped by the Glendale store - yeah, the one from Entourage.



Good spot. I've never had any serious complaints about GP or Forza, but the shop is certainly much friendlier than their southern equivalents. They even knew Chris from Ca.



Barring any bad scoring corrections, looks like I have a shot at the Medieval Gridiron playoffs.



The Raiders game was a breath of fresh air. The recipe for success was a pretty obvious causation: half of Denver's defense was on the bench -> the Oakland offense could be somewhat effective -> the Oakland defense was not stuck on the field for fifty minutes -> there was no fourth quarter defensive collapse.

Rob Ryan is brilliant. I didn't need a victory to say so, this is just the first Monday I've actually wanted to think about football. Oakland has put up some fantastic challenges (remember how they dominated SD through three quarters) but the d would always falter having been saddled with spending the most time on the field and putting points on the board.

Russell and McFadden may be developing, the only thing to say for sure is that they need time on the field. Fargas is solid.

Cutler had a less-than-stellar day. Perhaps Shanahan trusted his second string defense a bit too much against an ineffective Oakland attack. Against any other team he may have tried making the game a shootout a la the Browns. The Raider secondary is good, but Cutler had a solid pocket all game and with receivers like Marshall and Royal, it's surprising he only completed 43% of his passes.

And then there's the absence of Jason Elam...

Making space [s]

I threw up a surf rack and a hanging device for the neoprene. The garage is slowly becoming more spacious.



On the clipboard right now is an order form for window coverings. I'm leaning toward wood blinds or cellular shades. Should I go with the former, I'll have to decide between stained wood to match the floors or bright white to match the window trim and baseboards. I created another mindblowingly photorealistic mockup of what either might look like.

Please chime in if you have an opinion.



I ordered a chandelier for the entryway or above the stairs. The criteria was low-key, no faux candles or faux crystals, and no single pieces that are bent more than a few degrees.



One subject of contemplation is door choice for the upstairs bathroom. It used to have a pocket door, great for space but I always found them difficult. Chances are I'll put a regular door in, but I'm considering a slider with some translucent material inset in a wood frame.



So the rest of the bathroom is empty. Cement board, tile, vanity, shower door...



I picked up a Panasonic bathroom fan from Dixieline. It's quiet* and all, but the main perk is that it's not crazy ugly. Most are. They're all plastic, some are huge, others drop several inches down from the ceiling. The worst offense of all is having the ugly yellow, plastic light. The last fan tucked under the joist, no such luck here. I had to relocate it a couple inches so there's a bit of ceiling repair to do.

It wasn't too tough to install, though I had to extend the electrical and fuss about getting the pipe through the wall.

* Maybe too quiet.



It has been noted that I haven't posted photos of the shower with fixtures. Now I have. Bronze finish is looking good for some, if not all of the house. In fact, Jon installed door handles on Saturday.