Today was drift day at El Toro. Interesting events, interesting crowd. It rained until about noon, making driving and shooting difficult. Then the sky cleared up and all was well.
Drifting creates some great opportunities for the photographer, but it isn't easy. Panned shots are important and this skill always involves a degree of trial and error. The optimal snap shows the rear wheel spinning while the front wheel is turned and locked. Skids and smoke is a plus. Here's what five hours of shooting yielded.
I picked up a Nikon f/2.8 70-200 from Calumet. I was hoping for something longer and prime, but that's all they had available.
Saturday started with Mario Galaxy and In 'n' Out, then we drove down to Qualcomm to scout the autocross scene. Jon and Ty rode with Erik for a couple of laps, J and I did some shooting. Can't wait to get the vr down there. Scroll down for more infor...
Today featured a long-anticipated Del Mar session followed by a screening of Streets of Legend. Unfortunately the movie did its Sundance award little justice. And there wasn't much in the way of racing. But I have high hopes for Driven.
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The strip Las Vegas, baby. I was visiting for a work conference so I brought a couple of film cameras along with me. I wanted to shoot gonzo-style - black and white film, high contrast, shooting from the hip, and capturing impromptu scenes within casinos and along the strip. I needed to be able to shoot quickly within the smog filled casinos. For this I chose the Olympus XA from 1979 with Ilford Delta 400 film pushed to 800.
My video tutorial with examples of using. English language. Color head and printer light are instruments of analogue color correction. Example of using Dehancer Pro OFX plugin for DaVinci Resolve. Dehancer is the OFX plugin suite for film-like color grading in DaVinci Resolve. Dozens of real photographic and motion picture films, precisely captured and packed...