There are a few wires to dispose of, all in due time. The couch is a bit off the wall to center its occupants more and provide a space for the woofer. Um and I'm terrible at pillowing couches.
I brought the tripods home from my office so I had a bit more snapping liberty.
Dixieline was closed today, grumble. Still, I put the head back.
Surf board rack with wifi. Duh.
Truth in 24 (6)
Rides (7):
The speed night mainstay is a powerful road car that features a wealth of modifications such as blowers, bottles, death proof roll cages, and chaingun turrets. The LeMans circuit is
a departure, for sure, but not one that dances off into the fairly land of f1 and the lot where cars - to paraphrase Ferdinand Porsche - should win a race and then fall to pieces. Nay, LeMans racers have to run strong for a contiguous day and have been a testbed for the development plenty of commecial technology.
Truth in 24 showcases
the fastest and least recognizable of the series, the prototype class. These machines are purely designed for function and tend to be a crap shoot for aesthetics. I would have found myself salivating considerably more had they focused on the classes that consist of 430s, 911s, S7s, Corvettes and the like. But that experience may have been ruined every time a LMP breezed by on the outside of a hairpin.
So while there's little variety or focus on the cars you might actually see in the parking garage at your local hospital, they
look good, sound good, and require no increased frame rate or cgi to
knock your socks off.
Authenticity (10)
It's a documentary. You can't get a whole lot more authentic without jumping formats. Of course I'm accepting the characterization of Peugot as evil. But if they weren't evil they wouldn't have made their cars looks so evil.
Femmes (0)
I think I spotted
a few in the crowd. For something created by nfl films and shown on espn, I actually expected a few umbrella girls.
One Liners (7)
The authenticity and female content aren't a surprise, but the prevalence of quotables was a shocker. None are so cornball to be as memorable as 'danger to manifold' or 'my hand gernade', but they're excellent within the context of the story. The lecherous lead engineer of the Audi powerplant has a few, such as the observation that his turbo diesel is quiet and sexy, in contrast to the 'normal' perception of sexy as involving screaming. Shudder.
Then there are a few - often through thick accents - that draw a chuckle while you're watching, such as, '
Drive home like grandma'. And then the prophetic, '
It always rains at LeMans'.
Action Sequences (7)
I'll start with the 3/10ths empty part of the glass: no martial arts, Mexican stands-off, or nos explosions. The 7/10ths is a tasty blend of Fine Driving, high speed camera clips, mishaps, and flying cars. The carnage is actually Tetrised into the storyline so it doesn't feel like a nascar commercial. And most importantly, the movie draws on
so many sources of footage that the coverage of the track, cars, pits, is very complete. It doesn't hurt that you can watch some impressive shots and know it wasn't cooked up by a supercomputer cluster or remotely control car.
Star Power (6)
Paul Newman and Steve McQueen show up in a few homage clips, the rest are racers.
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