Preview | 2007.03.13
|
◄ |
2007.03.13
A weekend |
2007.03.18
Greenery |
► |
2014.08.03
Nightsurfing, part sixPhotographing a stealth mission. |
2016.07.20
Ikelite nightsurfingA nightsurfing photo session with an Ikelite housing and flash. |
2007.04.04
Nightsurfing Part TroisLessons learned, lessons learned. One hitch fouled the shoot. |
35hunter.blog
Why An iPhone Can't (Yet) Be My One And Only Camera - 35hunterEver wanting to minimise my camera kit, it's crossed my mind more than once than a camera phone could be the only one I need. Which would be ironic, as this is how I began photographing with intention over a decade ago, years before I discovered film, or knew what any of those intimidating and... |
ymcinema.com
Extreme and Dangerous Cinematography: Capturing 100-Foot Waves - Y.M.Cinema MagazineIn my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO's 100-Foot Wave means capturing those Nazare's monsters, in an ultra-harsh environment. Michael used high-end cameras for the job, including the Canon C500 Mark II, RED Monstro, and the Phantom 4K Flex. Read below our interview with him. 100 Foot Wave: An HBO series Garrett McNamara journeyed to Nazare, Portugal with one goal in mind: to conquer a 100-foot wave. His effo... |
blog.jimgrey.net
Canon AF35ML (Super Sure Shot) - Down the RoadA review of the Canon AF35ML, an autofocus camera for 35mm film. It's loud as heck, and it's big and clunky, but its lens is a winner. |
Comments